NunSlaughter 'Devils Congeries Vol.I' review

NUNSLAUGHTER

Devils Congeries Vol. I

Hells Headbangers

By now everybody and his dog should know what NunSlaughter stands for – death metal, cooked in Satan's very own kitchen, using the right ingredients from the glorious '80s. Timeless, not outdated ingredients, mind you. Apparently this 58-song double CD here is first in a Herculean task of offering all vinyl EPs ever released by the band (tons upon tons of those exist, don't you know?) on shiny little silver discs.

Vol. I is jam-packed with poisoned tunes from various splits and EPs of all sorts – studio, live and rehearsal and you would be hard pressed finding a dirtier, uglier or more Jesus-bashing package elsewhere. You dig the sound of Repulsion, Master or Slaughter? Of course you do! NunSlaughter combine all that and more in their tunes, and filter those influences through a pile of unwashed priest's robes covered in filth, spunk and virgin's blood. And there's no end in sight. Bon appetite! 8 / 10

NunSlaughter on Facebook

Shitfucker 'Suck Cocks In Hell' review

SHITFUCKER

Suck Cocks In Hell

Hells Headbangers

Hells Headbangers is one of the pillars of the scene and I'm digging the hell of most of their releases, but Shitfucker stand out as a sore thumb. A sinister mutant offspring of Venom and GG Allin this is not, if that was the intention. What it is, however, is an anti-elaborated mixture of simplistic primitive metal, raw and sloppy punk rhythms and something that supposedly should be passing for infernal rock'n'roll, yet there's very little substance to the tunes that might give you the urge playing the album more than couple of times.

There's no accounting in taste, true, yet when 7 non-lengthy songs (plus an intro and outro) sound like boring 2-hour listening experience, one knows the said album doesn't cut the mustard. Those three guys make Gehennah sound like technical wizards, I'll give them that - but nothing else. Hopefully Shitfucker is having autistic good time playing this stuff, or else all is in vain. Bands like Abigail and Barbatos are light years ahead of Shitfucker if you're craving similar sound and style. Also, for bands having “Shit” in their name, I'd personally stick to Shitlickers, thanks. 4 / 10

Shitfucker on Metal Archives

Incantation 'Mortal Throne Of Nazarene' review

INCANTATION

Mortal Throne Of Nazarene

Hells Headbangers

Each and every intie I've read with Jon McEntee is characterized by couple of things, namely his undying and unquestionable passion for producing and consuming death fuckin' metal and his devotion to the main band he's playing with, Incantation. Incantation, the beast he had started in 1989 alongside another visionary, Paul Ledney, following both of them abandoning Revenant for the good reason of not being thrilled by the perspective of that band's change to more acceptable, thrashier and technical style. Soon after Ledney splits with Incantation, only to form Profanatica, but that's another chapter for the history books.

Incantation have never been destiny's darlings, and the zillions line-up changes might have done them some disfavour over the years, yet the stubbornness, the hard work and (most importantly) the high quality songs and albums they've released paid off in the long run. It might have taken a while, 15 years or so, for the metallic underground to catch on and cover itself in hectolitres of goats blood but there's no denying Incantation's unholy and putrid atmosphere is an integral part in the music created by all those bands who are buzzing these days in the underground circles, be it Necros Christos, Teitanblood or Grave Miasma etc. etc..

So, 'Mortal Throne Of Nazarene' – 19 years after its original release date this album is still as inhumanly aggressive and brutal as ever, a near-perfect mixture of freaking speed and soul-crushing slower passages. Add to this those gurgling vocals courtesy of good ole Craig Pillard, the merciless drumming, well audible bass lines and the typical ultra-heavyweight riffage the band is known for and you're facing 8 death gems that have easily stood the test of time. This is also the first ever vinyl outing for 'Mortal Throne...' and there's no excuse not purchasing this, even if that translates to “no presents for Christmas” to your family and relatives. 9 / 10

Incantation

Incantation on Facebook (Official Fan Page)

NunSlaughter / Antiseen Split 7" review

NUNSLAUGHTER / ANTiSEEN

Split 7"

(Hells Headbangers)

Inevitable just like our beloved civilization's collapse - another split thingy featuring NunSlaughter, ladies and gentleman. With Antiseen on the flip too, in case you've been wondering what would it take for things to become better worse. Two new and exclusive songs per band, available on either traditional black or red / brown wax - Hells Headbangers seldom disappoints.

Alike with NunSlaughter, especially when we're talking 7" vinyl. The format seems to be tailor made to the band's needs, allowing their short, and straight to the point, thrashy and punked up death metal neck-breakers to shine in all of their dirty, religion mocking, glory. Focused, instantly recognizable, aggressive - both "So Vile" and "The Burning Times" are yet another good example that NunSlaughter do have fun. Solid, if not spellbinding. 

Antiseen at first glance might look like a weird pairing but there's method to the madness. Strip out all genre tags, trends and fads and in most cases you get to the raw, rebellious, nerve of genuine Rock 'n' Roll. And rocking hard Antiseen certainly do - coarse vocals, energetic rhythms and mean guitar distortion, a recipe proven to work wonders to the adrenaline levels of all those young at heart. "Air Of Opportunity" wins it for me, being grittier and faster than "Down To The Bone".[7,75 / 10]

NunSlaughter on Facebook 

Antiseen on Facebook 

Deceased 'Supernatural Addiction' review

DECEASED

'Supernatural Addiction'

(Hells Headbangers) 

I reviewed this album for Canadian Assault, the first time was back when it was released in 2000, now some twelve years later it gets it’s re-release through the cult label Hells Headbangers. Actually that brings back a memory, as I got the promo for the original release one day, listen to it, then go to the NJ Metalfest the next day and I end up hanging out with King Fowley himself briefly and letting him know I loved it. This album really featured the death metal kings Deceased feeling and sewing their heavy metal oats, which is where they came from. If you know much about these guys they were just as into heavy metal back in the 80s when this band formed as they were into thrash and death metal. They could have went either way, but chose to form a death metal band, what I am saying is this was no retro jump because it was cool at the time, these guys had lived it for decades. As for the music as I said this is a heavy metal record, not a death metal record, though you can kind of tell it is a death band at times playing it. But they do it so well, so fucking smoothly and write such catchy riffs and harmonies, that it blow your hair back. King Fowley’s vocals are great as ever, he is a talented drummer, but he really showcases his vocal talents on this album, sure you have a slight base of his gruff growl, but he conveys such emotive range on here, that I am just hypnotized and haunted by his vocals. The lyrical content on here sort of reflects the bands music choice, they reach back into classic metal for this album and the lyrics similarly reach back into classic horror of it’s early days, you know Poe, Lovecraft and that sort of old school horror story telling. If you made the mistake of missing this the first time around, you have received a second chance in this life to correct your mistake.

(Dale Roy)

Deceased 

Voidcleaning - reviews part 4

A day off work has become more of a rarity for me than stumbling upon a mint first press Yellow Goat vinyl that's sold for a dime. Today is one of those rare days and 'cause I'm not Nocturno Culto (obviously!) I wouldn't be going outside on a ski trip through the woods - I'd rather be watching the snowfall from the safety of my bedroom, while abusing millions cups of black coffee and millions packs of the beloved Viceroy cigarettes. That's right - it's review 'o clock here...

HIC IACET - 'Prophecy Of Doom' 7" (Hells Headbangers)

The label seems to dig these Spaniards, this 7" being the follow up to the HHR (vinyl) reissue of the band's debut demo, 'Hedonist Of The Death'. After listening to these two songs the pairing makes perfect sense - Hic Iacet certainly worship the old, non-technical and brutally raw ways of black and death metal - production and music-wise. This could be a two-edged sword for Hic Iacet though: metallers who like it slick and polished most likely will stay clear of this band, while many of the old timers might be able to pick up more familiar riffs and patterns than what good is, thus ending up kinda indifferent to the whole affair. Agreeably, here's promise on there and it's evident the band is trying to project a grimly unhealthy aura with its music, but this is just not memorable enough to make one jetting to the player and flipping the wax over and over until the vinyl is shred to bits. Blame it on my age, if you wish, or on the existence of bands like Necros Christos, who are doing something similar in style - just better!, but Hic Iacet ain't yet the band to give me goosebumps all over. [7] 

Hic Iacet on HHR Bandcamp page 

SATHANAS / SPAWN OF SATAN - Split 7" (Hells Headbangers)

Alright, more old school death / thrash here. Spawn Of Satan's "Ritual Murder" bears a slight resemblance to the current works of NunSlaughter, hardly a surprise as it's Jim Sadist playing in both those bands. Not as nasty sounding as most of the NunSlaughter tunes, in fairness, but there's just enough Slaughter influence mixed in along the driving sorta-thrash riffs and deathly growls to make you aware of the similarities. [7]

Sathanas has always been a "difficult" band to me - I like the style they are going for and I respect them for staying true to themselves over the years, yet their tunes have never really floored me to the point of me uttering something similar to "Fuuuuck, this is awesome!". "Unholy Eternal" doesn't change the scenario in the slightest, no matter how many chances I've given to it to sunk in. Oh well, some bands are bound to remain just like this, I guess. [6,5] 

Sathanas Facebook 

BLACK JESUS - 'Black Jesus Saves' (Hells Headbangers)

This 12" vinyl release rightfully completes the circle for the debut demo of these Melbourne based Repulsion worshippers; 'Black Jesus Saves' had made it now on tape, compact disc and wax. In case you're an undying fan of the Flint, MI, foursome these 8 songs of depravity would easily turn out to be your best new friend - one you would go on and swear you've always been familiar with somehow. One you can sit down with, telling one another random tales of radiation sickness and acts of the unspeakable, bathing in the acid rain until you realize you're both supposed to rot wearing those faded 'Horrified' shirts. Kinda cool, kinda depressing, isn't it? I'm betting my balls this band really excels live, though. [7]

Black Jesus 

ANCIENT ASCENDANT - 'Into The Dark' (Self-released)

Even though one can hardly shake off the feeling that this English band might be drawing from way too vast array of different styles and influences, the quality displayed on this 5 song MCD is hard to be shot down and buried. Modern day sounding death / thrash hybrid that doesn't make me like throwing my phone across the room? Score one for Ancient Ascendant! Not only the guitarists shred as if there's no tomorrow, but this is also filled with quirky riffs and nuances that make you pay close attention. Rest assured the vocals are just as interesting, diverse sounding and dominating in the mix, with the rhythm section holding up well its end with meticulous precision - no matter if I'd enjoy it better somehow less sterile and more "forceful" sounding. The aim here is writing songs that are both technically challenging and intense, I believe. If that's what the band originally had in mind, then there's no denying that 'Into The Dark' has been a success. If you enjoy stuff like 'Heartwork' era Carcass, Dissection's 'Reinkaos' or even Dark Tranquillity and Gojira (crossbred with Dream Theater, ha!) you might want to invest some time and dosh into these Reading based new-age ancients. Reading, you say? Thanks for selling Kevin Doyle to Wolves in 2009, the guy is class. [7,5]

Ancient Ascendant 

Children Of Technology 'Mayhemic Speed Anarchy' review

CHILDREN OF TECHNOLOGY

'Mayhemic Speed Anarchy' 7"

(Hells Headbangers)

'It's Time To Face The Doomsday', the Italians debut outing for Hells Headbangers, was embraced with open arms by Dale, as can be attested by the positive review he gave them. COT's punk/metal mixture isn't exactly unique sounding, a thing that seemingly isn't bothering the band at all and they're still proudly wearing their influences on their collective sleeves on this 7". Rest assured the usual suspect influence of Broken Bones and English Dogs are here on the title song, but what I'm most reminded of, whilst listening, is The Exploited. Resemblances to that band's 'Death Before Dishonour' / 'The Massacre' era, both production and riff/solo-wise, are pretty obvious - and what about having "anarchy" in the lyrics? Competently played and energetic, for sure but I reckon I'd rather stick to the true and tried Wattie's gang - and his harsher and fucked up pronunciation. Side B is COT frantically covering "Computer World" by Black Uniforms - good to see these Swedes getting some more exposure and appreciation! Frankly speaking, 'Mayhemic Speed Anarchy' is a rather good stop-gap type EP (and vinyl is king, simple!) but it's also hardly the most addictive drug the market offers. If you love your crossover being more on the punky side this will get you high enough, though. [7]

(Vladimir Petrov) 

Children Of Technology Facebook 

 

Bestial Warlust 'Satan's Fist' review

BESTIAL WARLUST

'Satan's Fist'

(Hells Headbangers / Invictus Productions)

Off the top of my head I could think of nearly 666 ways of approaching this release, and scribing the review. I can't highlight enough the impact Bestial Warlust's debut album 'Vengeance War 'Till Death' had on my teen psyche back in the day - this was a complete overloading experience - and still is to this day. Not only those Aussie bastards in no time replaced Blasphemy as my top pick in this particular genre, but they were also the first band that made me pay close attention to their native underground scene, a move that has resulted in experiencing some of the most awesome music those crusty ears have been subjected to - EVER. Fuck it, I would've even scanned and uploaded for you that absolutely atrocious "interview" I did with Bloodstorm  back in the day, only if I could find it - probably for the better: that would've been the ultimate proof for my lame "journalism" and horrible music tastes since day one, hah. In short, I might be called a fan-boy when this band comes into question. Hail Bestial Warlust! 

'Satan's Fist' was originally recorded as a demo in 1996 and was kept in the vaults since. I, for one, am really glad this is made available on vinyl and CD now, the sound quality is easily superior to the various dubs and 128kbs downloads out there. Even though this is hardly the most triumphant offering unleashed by the band I can't imagine someone complaining about these 3 songs. Sure, this is only Hellcunt and Skullfucker demoing tunes and trying to keep the band alive after the demise of the previous line-up(s) but even for two members they've made a racket between themselves and what this (slightly!) lacks in the full-on ferocious annihilation department, they make for it with some mean guitar riffs and melodies that wouldn't have sounded out of place if used by bands such as Destroyer 666 or Assaulter, to mention just a couple of examples. The more I listen to this, the more I seem to dig it - especially after somehow shaking off the initial expectations that 'Satan's Fist' is gonna be on the same level as the two studio albums. Still, this is militantly aggressive, raw as nobody's business, slit-your-throat metal done the Bestial way - a pleasure to the old timers and a great way to the younger legions to see as to why the band is still cited as one of the most influential by some of the meanest ones making the waves in the underground those days. Add this to your Xmass shopping list, you fuckos! [8]

(Vladimir Petrov)

 

Interview with John Gelso (The Royal Arch Blaspheme)

The Royal Arch Blaspheme?

 Not a band for the mainstream metal public, let me tell you. 

Things are different here at Dead Void Dreams and when Patrick interviewed band's founder John Gelso I knew this is gonna be a great reading for all you cursed souls out there. Do you agree?

Originally published on Winter Torment Zine

DENIAL OF THE HOLY SPIRIT

 

Patrick: Hails John! Thank you for taking the time to fill out this interview! Please introduce yourself to the readers.

John Gelso: Greetings, it all began in 1986 when Paul Ledney and I disbanded a punk project to begin the death/black metal band Toten. Since then, I’ve played guitar in a handful of bands. The only noteworthy ones I care to mention would be Profanatica, Contrivisti, and The Royal Arch Blaspheme.

Patrick: When did you and N.Imperial first meet? What gave you guys the idea to form The Royal Arch Blaspheme? How did the two of you choose the name of the band? How would you describe the band's music for the readers who have never heard The Royal Arch Blaspheme?

John Gelso: I met N. Imperial in Texas at the 2009 Sacrifice of the Nazarene Child Fest. I created RAB as a side project while Paul worked on Havohej in the autumn of 2008. The name was taken from Aleister Crowley’s “Energized Enthusiasm: A Note On Theurgy“ written in 1913. After creating the majority of the hymns, I needed someone with a strong voice to complete the work. I thought of asking Ledney, but felt the album would be viewed as an odd Profanatica album. In addition, I wanted RAB to be its own entity. At Sacrifice of the Nazarene Child Fest, N. Imperial gave me a copy of March Into The Sea. After one listen, I knew he was the perfect fit for RAB. 

I would describe RAB as dark, inward, haunting, and powerful. Both N. Imperial and I pen the lyrics that vary on themes from self-empowerment and ancient truths, to the disgust of religious hypocrisy and it oppressive nature. 

Patrick: Originally the band was just yourself and N.Imperial but for the new release 'II' you decided to add more members for a full-band. Why did you guys decide to add more musicians? Are you happy with the decision so far? Please introduce the new members of the band.

John Gelso: It was my idea to expand RAB, I encouraged everyone to contribute to this album. I’ve worked with Alex and Blake while recording Profanatica’s 'The Grand Master Session'. There is strong chemistry between us when we perform. Everything comes together very quickly. They are both part of the RAB going forward.

Alex and Blake are both previously from Demoncy. In addition, they have both done live session work with Profanatica. Alex also runs and operates Negative Existence.

Patrick: Are you all interested in playing any "live" shows/fests/tours in the future, or would you prefer to keep The Royal Arch Blaspheme a studio-only band?

John Gelso: I would be interested in doing a few live performances with RAB, preferable a fest. I’m more interested in working on the next album.

Patrick: The band recently released their second CD 'II' through Hells headbangers Records. How long did it take to write and record the songs for this release? Which usually comes first in the writing process - the lyrics or the music?

John Gelso: Music comes first, then titles, then lyrics. This album is a bit unique when it comes to the writing of it. I’ve purged ideas I’ve been holding on to for a while. The first riff you hear in “Vama-Marga” was written in 1987. It was taken from a Toten hymn titled “Dreary Proximity.” It was never recorded, but the riff remained in my memory over the years. "Resurrection of Depravity" was written in 2004 in homage to Quorthon. The song “Call from the Grave” inspired the vocals style and is meant as a tribute. 

Patrick: Everyone has their own ideas/opinions on what black metal means/stands for, so I was interested in what you what yours were. What does "black metal" mean to you?

John Gelso: In my opinion, black metal began with Venom. It’s a true dishonor to them when people say it was stared in Norway. To me it’s all about the music and the feel. Its roots are in punk music. While punk is against the establishment, black metal is against religion and what is perceived to be moral. They both have rage within it core. 

Patrick: I know you have been a part of the black metal scene for many years now. How do you feel the scene has changed over the years? Do you feel it has gotten better or worse over the years?

John Gelso: It can never be the same. While there are a lot of great artists out there, and a greater amount of people that truly appreciate the music, the newness of it can never return.

Patrick: I also remember in the early/mid 90's the USBM scene was not really respected or taken very serious from the Europeans. Do you see much of a change in this over the last 10-15 years?

John Gelso: For USBM in general, I feel it’s changed a little. Some bands are getting more respect, though Profanatica still remains possibly the most passionately hated within Europe and the US, especially amongst critics.

Patrick: What is your personal opinion of the scene in the US? Who are some of your all-time favorite USBM bands? Are there any new bands you feel will make an impact and people should watch out for in the near future?

John Gelso: There are many great bands in the U.S. All time favorites: Demonic Christ, Demoncy, Black Witchery. 

Patrick: How do you feel about the black metal bands that use keyboards, synths and female vocals etc. to add "atmosphere" to their music?

John Gelso: I’m not into keyboards or synths in black metal. While its not something I would choose to do, I don’t mind if its in an intro or outro. Overall, black metal should have a more punk feel. I like female vocals. Fuck, Demonic Christ is killer!

Patrick: If you don't mind a few personal questions I had wanted to ask - would you consider yourself a Satanist or just anti-all religion? At what age did you really start to question religion and god etc.?

John Gelso: I started questioning religion at a very early age. I was around 4 or 5 old when I started attending C.C.D (Confraternity of Christian Doctrine), not by my choice. From the beginning I saw many flaws in Catholicism. I quickly developed a true hate for all the ignorance and hypocrisy that I was being "taught.” Catholicism is a plague of misogyny, paedophilia, fear, and destruction of self will. It was created to enrich a few and lure the sheep by providing a false sense of security. Throughout my life I’ve studied other world religions and found the same shit.

Patrick: Who are some Satanists/Occultist you study and follow the most? Do you have any kind of philosophy you try to live by?

John Gelso: I’ve studied Anton LaVey, Aleister Crowley, and Helena Blavatsky to name a few. Years ago I did some work for Tracey Twyman and Boyd Rice, helping them with a website. It provided me with access to a healthy amount of compelling articles and spoken word audio files they created. I have much respect for the amount of knowledge they’ve gathered over the years.

Patrick: How do you feel the world would be different if the religion of any kind (Christianity, Satanism, Paganism etc.) was never introduced to humanity?

John Gelso: Our species would be much farther evolved. Or we would have annihilated ourselves.

Patrick: Coming back to music besides The Royal Arch Blaspheme you are also a part of the legendary Profanatica! Whats new with Profanatica - any band news/updates you would like to share at this time?

John Gelso: There’s should be a new Profanatica album coming out later this year. We finished recording it about a year ago. I’m not clear on why it hasn’t been released yet. Last I hear, Hells Headbangers where waiting for Paul’s artwork. It has 9 new songs, our best effort yet.

Patrick: We have reached the end the of interview,thank you for taking time to fill this interview out. do you have any final words for the readers?

John Gelso: Praise to those who support. 

Vomitor 'The Escalation' review

VOMITOR

'The Escalation'

(Invictus Productions / Hells Headbangers)

If there ever was a record to crawl out from underneath a pile consisting of tape-traded demos and live bootlegs of bands such as Sodom, Metallica, Slaughter Lord and Morbid Angel - all in their prime and absolute best, faded Poison / 'Deathcrush' shirts, copied fanzines and rusted bullet belts, then 'The Escalation' it would be. The realization that an album this primordial, Neanderhtal-ugly and off-putting falls just right into one's comfort zone is both exciting and worrisome at the same time. The album is a crude and murky onslaught of extremely malicious guitar riffs and swarming solos, six feet under-like buried vocals, gargantuan drumming and gruesome bass lines - pretty much the equivalent of ramming a 666 inches armoured cock down the throat of what the "metal" scene had become. Not a pretty sight / listen for those who like it sappy and polished but a rewarding revelation for the hordes that recognize the roots of genuine extremity, aggression and madness that enforced the growth of the poisoned fruits of evil, obey-to-none, metal sound. Vomitor are back and in a crass fashion they'll forcefully drag your dying body through seven songs of muddy trenches and barbwire fields to the time before time. [8,5]

(Vladimir Petrov) 

Vomitor Facebook

 

Voidcleaning - reviews pt. 2

Part 2 of what, due to various reasons, is now a regular feature.

Enjoy.

(Part 1)

SATANIC BLOODSPRAYING - 'At The Mercy Of Satan' (Hells Headbangers)

Wow, this is more Impaled Nazarene than Impaled Nazarene themselves have been in years! The review should stop here but I still can't make my head around this band. Part of me likes this (well, I've first heard IN over 20 years ago, scary!) but on the other hand I don't really need what equals to simply be a tribute band to these ears. Let me put it this way - thanks for the promo but in no way I would be paying cash for this album, even on a perfect day...Wolves winning a game, for example, the useless cunts. [5]

Satanic Bloodspraying Bandcamp 

 

BLACKENED WISDOM - 'The Angels Are Crying' (Hells Headbangers)

 

Recorded back in 1993 and only released now, the main draw here is that vocalist / guitarist for the short-lived Blackened Wisdom was none but Bill Taylor, the denim-clad monster from everyone's fave unholy cult, Immolation. Watching him going completely berserk for over an hour when Immolation toured over these parts of the world mere couple months ago was one of my personal highlights from their perfect gig. This three-song 7", however, isn't exactly awe-inspiring, nor exceptionally good - thanks to the booming, sub-par production the songs have been robbed of energy, intensity and memorability, which is bad news if you're going for a menacing death / black hybrid sound. Some good bits scattered here and there throughout the songs but, frankly, Order From Chaos is all you need in that particular genre of metal. [6]

Blackened Wisdom Bandcamp 

 

BRUME D'AUTOMNE - 'Brune d'Automne' (Sepulchral Productions)

Second album for one of the prime examples of Quebec black metal, a two piece band (or is it a side project?) of members playing also in Forteresse and Ur Falc'h. Never heard the latter but the music on this album is pretty much dissimilar to that of the former - Brume d'Automne is way more straightforward than Forteresse are in style and execution - more stripped down, raw black metal impurity and less folklore touches, although those are certainly noticeable as well. The songs are fast and aggressive, the drums have a cool "dirty" sounding about them, the guitar work is effective in a minimalist way, injecting enough melody as to prevent this crossing the line between black and war metal and the vocals are harsh and tortured for sure. While most of this is probably too "90s Scandinavian black metal style" to be highly unique this band does deserve a fair share of praise. [7]

Brume d'Automne Facebook  

 

 

ZEBARGES - 'Stay Barges Or Die!!!' (Ortsid Latem Productions)

The ever-moaning bastard I might be, I love my goofy music every now and then. Haven't seen me bathing in that green slime at a GWAR show? Mess. I love mess. When even that fact doesn't help me enjoying this album you'd know Zebarges have to be real dull. This was supposed to be a punk / metal hybrid but what it sounds like is an inside joke that should have stayed just that, with possible circulation of 3 or 4 CD-R copies to gather dust in the basements / wine cellars of those involved in the recording process. Probably the joke is lost on me due to the French lyrics but then again I don't believe the situation would've been any different. They could be the funniest bunch of maniacs known to mankind, I wouldn't know, but the music is just not there at all. Upped a whole point for their trouble mailing this to me and the photos in the booklet showing some of them wearing Destroyer 666 and Exodus shirts. [2]

Zebarges MySpace

DEVIL - 'Magister Mundi Xum / The Noble Savage' (Soulseller Records)

 

Just what's on the tin - Devil's demo and 7'' EP are now available on CD format. Some of the featured songs had ended up later, in re-recorded form, on the band's debut full-length, 'Time To Repent', still there's plenty of others to practice your best dancing moves to as well. Most of the tunes are farkin jolly good time - Devil's "bluesdoom" has always been hugely tongue-in-cheek and catchy like a masterful spell cast upon your ears by some old hag. It's fuckin whiskey time, matey - watch me ducking and rocking around - I made a pact at the blacksmith's and the blood is boiling! Not essential, and occasionally goofy retro sounding at times, yet a decent enough to crack a smile on everyone's lips at that party you've been invited to the next Saturday night. [7]

Devil Facebook

Heavy Cross 'Street Wolf' review

HEAVY CROSS

'Street Wolf' 7' EP

(Hells Headbangers)

The '80s are back upon us - the days of denim and leather, big motorcycles, big boobed chicks and pre-AIDS promiscuity, or at least that's what Heavy Cross want us to believe. And they're doing their job rather convincingly, as both songs on this 7" sound like they've been written 30 years ago, make of that what you will. "Speed Wolf", with its faster pace and more raw nerve is my pick for the (nearly) ultimate party metal song, some catchy guitars there and memorable choruses to warm your metal heart between two sips of the infamous Old No.7. "Red Light Woman" is more of a traditional rock 'n roller and mid-tempo, with the melodic guitars being the best part of the tune. Fans of NWOBHM and more recent bands such as Zuul or Convent Guilt need pay attention to the debut offering of Heavy Cross. This EP is some quality jolly affair, after all. [7]

(Vladimir Petrov) 

 

Muknal 'Muknal' review

MUKNAL

'Muknal'

(Hells Headbangers)

Originally released on tape by Crepusculo Negro, 'Muknal' is now also made available on 12" wax by Hells Headbangers. Great news if your taste in music wanders the unlit realms of Hades, as these three songs are drenched in grotesque atmosphere and unworldly horror. While bands such as Incantation and Blasphemy shall undoubtedly be mentioned as referring points and influences to Muknal's sound, while listening to this I'm mostly reminded of long-time personal favourites Disembowelment - and those familiar with the Aussie's type of sonic nightmare should know by now what they'd be in for on this MLP. Gruesomely bottom-ended cacophony of souls screaming for vengeance, dismal dirges and insane speeds - stay clear of this if your main desire is for the music to provide a "pleasant" background to you while you're doing the dishes (chatting over the net, playing with the kitty etc.). Muknal might be "niche's niche" music but they do excel at what they're doing. Embrace the fear. Welcome, Muknal! [8]

(Vladimir Petrov) 

 

Interview with Mongrel's Cross

 

You might go on and check out the review I did for Mongrel's Cross debut album, 'The Sins Of Aquarius', to see how impressed I was by the music of this Australian band. And when you're this impressive and 101 per cent metal, you get interviewed by Dead Void Dreams.

In this case, this is an interview done by our contributor Patrick, who's busy with his own Winter Torment zine as well. Huge thanks for the good work, pal!

Grab a beer - ready, set, GO!!!

Patrick: Metal hails! How are things in Australia? Please introduce yourself to the readers?

Grand Mongrel: Hails mate, Grand Mongrel reporting. Things are great here, I've just moved in to a place in the hills where I found a 3 m snake skin so this may be the last interview I do.


 

Patrick: At what age did you first discover metal? Who were some of the first bands you listened to? Who are some of your "current" favourite bands?

Grand Mongrel: When I was 12 years old the first drummer from Blood Duster moved up to Queensland, two doors down from my house. I lived right on the beach back then and one day I was walking down for a surf and heard this maniac bashing the fuck out of his kit. He and I became mates and he introduced me to Entombed, Morbid Angel, Impaled Nazarene, Pungent Stench amongst many others. I immediately became possessed and devoured everything he gave me. I was reading Steven King novels and watching "Rosemary's Baby" and shit so when I found a musical equivalent it was a significant turning point.

Patrick: When did you and the other members of Mongrel's Cross first meet? What gave you all the idea to form the band? How did you come up with the name of the band?

Grand Mongrel: I have know Goet Euryn since we were teenagers. He and I met Necros Craigos in Brisbane and we asked him to play drums for us as we were without a drummer. A mate of ours, Richard, helped me come up with the name. I wanted it to be Mongrel's... so over a beer we tried out a bunch of things and then Rich threw in the Cross and I said that's it.

Patrick: What is the current line up of the band?

Grand Mongrel: Myself, Grand Mongrel - guitars and vocals, Goet Euryn guitars and Necros Craigos on drums. We have two session members for live combat being Baaruhl on guitar and now m.k.h. on bass.

('Whoresanna' EP)

Patrick: The band recently released its debut full-length CD 'The Sins Of Aquarius' through the US label Hells Headbangers Records. How did you guys come in contact with the label? Are you happy with their work so far?

Grand Mongrel: I sent Chase a few tracks from the 'Whoresanna' 7" and he wrote back saying he'd like us on board. We are really happy with HHB so far. They have been really easy to work with and have the right amount of professionalism too.

Patrick: How has the response been from the press and the fans for the new release so far? Does the band have any upcoming shows / tours in support of the album? If yes, where are some places the band will be playing? Any chance the band will get to tour outside of Australia?

Grand Mongrel: The response has been great and it seems maniacs worldwide have been banging it hard. We have done a few shows over the last few months which have served as a platform to exhibit the new album. We have recently talked about taking Mongrel's overseas and it's certainly on the cards in the near future.

Patrick: Who are some bands you have played / toured with in the past? If you could set-up a "dream" show / tour who are some bands you would love to play with?

Grand Mongrel: We have banged alongside heaps of Aussie legends. Innsmouth, Destruktor, Astriaal, Cauldron Black Ram and Assaulter are some to mention. We supported Mayhem and Goatwhore when they were here also. A dream show for me would be a killer festival in Europe with Abigor announcing a one off headline spot.

Patrick: The band comes out of the legendary Australian metal underground, so I was interested what is your opinion of Australia's metal scene? There seems to be a lot of variety of metal genres - thrash, death, black, doom etc. - do most of the bands get along or is there a lot of competition among them?

Grand Mongrel: There is a lot of variety here. The black thrash tag gets thrown around a lot but there are many unique bands doing doom, death and heavy metal stuff. If there's any competition it's healthy and only breeds more creativity and killer bands.

(Split 7" with Innsmouth on Abysmal Sounds)

Patrick: Who are some of your all-time favorite Australian metal bands? Are there any new metal bands you think the readers should check out soon? What about good Australian labels / distros that people should check out?

Grand Mongrel: Armoured Angel, Bestial Warlust, Destroyer 666, Grenade, Gospel Of The Horns, Sadistik Execution are legends, Anatomy. Sacriphyx aren't new but they have been active as of late and doing some very killer shit.
Check out Abysmal Sounds which is a good label ran by a top bloke and amazing poo auteur. Another label / distro worth checking is the Coffin's Slave which is operated by the main man from Trench Hell.

Patrick: In your opinion, what is the best and worst thing about the underground today? And what does the term "underground metal" mean to you?

Grand Mongrel: The best and worst things, a hard question and one I don't think I really have an opinion on. I can say that underground metal is something I think is truly unique in a very plastic world.

Patrick: When you are not working on band music or band business, what do you enjoy doing in your free time? Any hobbies?

Grand Mongrel: Playing guitar is definitely a hobby for me and I try to fit it in to many hours of my week. Other hobbies include RPG abuse and I surf and skate when I can too. [Fuck, no Aussie rules stories here? Laaame..ha-ha - ED]

Aussie rules!

Patrick: Coming back to the band for a moment, you play the guitars in the band, when did you become interested in playing the guitars? Are you self-taught or did you take lessons when you were younger? Who are some of your influences/favourite guitarists?

Grand Mongrel: I played guitar at school very briefly and got the basics down so I'm primarily self-taught. Favourite guitarists....Hetfield, Demonaz, P.K., Quorthon (RIP)., Iommi, Infernus, [Nocturno] Culto, Trey, The Count....fuck there are too many to name.

...Aussie rules!

Patrick: You also handle the vocals for the band, when did you start singing? Do you do anything special to keep your throat / voice healthy? Again -who are some of your favourite vocalists?

Grand Mongrel: I started screaming my head off when we started Mongrel's. I certainly do nothing to look after my throat. It gets abused with liquor and smoke which is no good for vocal chords. Not recommended. My all time favourite vocalist is Grishnackh, nobody sounds like he did on the first Burzum recordings and I don't think anyone ever will again.

Patrick: Mongrel's Cross music is pretty intense and fast so I was wondering when the band plays live, do you find it difficult to sing and play guitars?

Grand Mongrel: I do, so I don't play and sing live I just bang and scream my head off. I find I can't give the vocals as much as they need if I'm concentrating on balancing guitar duties and vocals.

Patrick: Well man, thank you for taking the time to fill out this interview, do you have any final comments for the readers?

Grand Mongrel: No worries mate. Bang the album fuckers!!! 

Mongrel's Cross Facebook 

Mongrel's Cross at Hells Headbangers