Sacrificial Slaughter / Enfuneration Split CD review


SACRIFICIAL SLAUGHTER / ENFUNERATION
'American Death Thrash'
(Horror Pain Gore Death Productions)
 
I love split albums now and then and this release from HPGD looks to be an interesting one. First up is Sacrificial Slaughter and they bludgeon you over the head right out of the gate. SS play brutal death metal but with a real thrash underpinning. A reference band that immediately jumped to mind is the great old deathrash band Demolition Hammer. There are bands out there playing deathtrash, but I would have heard very few these days playing it this way. It is sort of a throw back to a time when thrash fans and bands were getting adrenalized for this new thing called death metal and you could hear the merging of the two distinct styles, sort of like hey that thrash band plays some sickening death metal. That is what you get from Sacrificial Slaughter and I like it. Oklahoma’s Enfuneration on the other hand are a more polished and modern sounding death metal band. They also hit you hard in their own way with razor riffing and deep rolling growl vocals. The drummer stands out as well on these tracks, a very controlled, precise and commanding performance turned in on the kit by drummer Rodney Cochran. All in all a great pairing and a must have type album for brutal death fans. I lean a little more towards Sacrificial, but both bands bring the goods, on five songs a piece and punish your ears.
(Dale Roy)


Black Crucifixion 'The Fallen One Of Flames/Satanic Zeitgeist' review


BLACK CRUCIFIXION
'The Fallen One Of Flames/Satanic Zeitgeist'
(Soulseller Records)

A day to celebrate here in the Void HQ, as this review marks post number 200 for the zine. I'm not gonna start pouring champagne in a crystal glass and singing karaoke to Abba , no way - this gonna be the genuine article: metal and ice cold beer. Metalheads are universally known for being extra passionate to the music created in their 'formative' years, so this CD release that compiles two separate 1991-ish recordings by the Finnish cult band Black Crucifixion can only be praised by yours truly. Not for purely nostalgic reasons either - one has to acknowledge the band for being on the leading curve of the soon to be exploding (then!) second wave black metal and their connection to Holocausto's Beherit has been well documented. Sandwiched between an intro and outro, the three songs of 'The Fallen..' are a good example of the coming madness - lo-filthy produced, charmingly underdeveloped, filled with crudely cold atmosphere and the famous 'whispering' vocal effect best known from 'Drawing Down The Moon'.''I'm a god now, and the slaves shall serve/Fuck your herd conformity, the noble shall rule", this short excerpt from the lyrics to the mostly excellent cut 'Flowing Downwards' describes the whole mindset of those involved in that particular, and highly influential, scene better than million words. Respect. 'Satanic Zeitgeist', the live portion of the disc, is, quite unsurprisingly, even more viciously raw and morbid sounding, bordering on Impaled Nazarene trademarked chaos in the faster parts of the presented songs. Black Crucifixion have seemingly been wise enough not to fall completely for that trick though, injecting catchy mid-tempo hooks throughout the tracks, as well as an enthusiastic cover version of 'In League With Satan'. Not a must-buy for everyone but a fitting document of an era. Lay down your souls. [7,5]
(Vladimir Petrov)



Murkrat 'Drudging The Mire' review


MURKRAT
'Drudging The Mire'
(Aesthetic Death)

Didn't you know already this ain't gonna be a nice little walk in the park, chit-chatting with your soul mate, eating vanilla ice cream under the azure sky? Hell no, this is on Aesthetic Death so you could make a nice little bet this is going to be on the really fucked up side of fucked up. Ultra slow, ominous sounding and spreading the rotten stench of an abandoned torture chamber, the Australian duo's chosen style is not here to please the fun loving part of you. I would not be surprised if 'Drudging The Mire' doesn't click with some aficionados of the funeral doom genre either, even if that's the style close to home if one absolutely needs to tag Murkrat's bleak musical creature. Mandy's vocals and extensive use of keyboards to compliment the sombre mood bring up some difference to the regular plate, with the former hinting at times of what Lisa Gerrard might have sounded like if involved in a project of such extremely dark nature. Yes, no low grunts to be found here but that's not the only thing that separates Murkrat from fellow crooners, as this also oozes vibes similar to early gothic rock, thanks to the prominent bass guitar tone. Definitely a hard and long listen (72 minutes, ffs!), which should be taken with some extra caution and probably a Red Bull or two, but an interesting one all the same. [7,5]
(Vladimir Petrov)


Ab Imo Pectore 'The Dissociative Path' review


AB IMO PECTORE
'The Dissociative Path'
(Debemur Morti)

By design this is a cassette tape release, limited to 100 copies. Thanks to the wonders of the internet I was given a download link from the label, thus being spared on the task of repairing the old tape deck (something I should have done a year or so ago), or dusting off the tried and trusted walkman, the very one responsible for nights and days and nights again of zillion listens to Sigh's 'Scorn Defeat','Hvis Lyset..', 'Under A Funeral Moon' and all that jazz. Go on - laugh and call me a troglodyte but to an extend I'm pleased the underground metal getting back to its roots, the tape format. So, a demo this is and demos were intended to be a 'snapshot' of the band, raising awareness of their style, sound and future potential. Considering this, Ab Imo Pectore is a band worth of their salt, working with the dizzying textures and atmosphere introduced by the more experimental, 'left-field', black/post-black metal bands the world has already seen its fair share of. At times 'The Dissociative Path' does sound like an uneven clash of influences, demanding the full attention of the listener without awarding much results in the end, yet the good ideas and execution prevailing the bad ones, if only just. They're onto something with these various vocal styles they're using and I did enjoy the quasi-Mysticum vibe of 'Mass Grave Emanations' for example, but there's hard work lying ahead for the Portuguese lot if they're to achieve the fully compelling, hypnotic and trance-like effect they're hinting on via the better parts of the presented songs. [6]
(Vladimir Petrov)



Horn Of The Rhino 'Grengus' review


HORN OF THE RHINO
'Grengus'
(Doomentia Records)

Bilbao is apparently both a city and a jungle, this just dawned on me. The Lions of Athletic Club have become the football (that's soccer, my beloved Americans) hipster's choice after an impressive Europa Cup campaign this year, spanking the useless Man Utd team in the process, among other heroics. I've been rooting for the club since 1984 so spare the thought I've been quick to jump on the bandwagon...but I digress. The Rhino gang ain't no slouches either, running rampant on gamut of influences that may make little sense on paper (Autopsy and Soundgarden, what the fuck?) but once you pop up this in the player it becomes clear they're mean bastards armed with malicious intentions. Not only this is oppressively HEAVY sounding and chock-full of massive mean riffs and pounding, thunderous rhythms but these songs feel like the band getting the kicks whilst throwing heaps of sludgy mud in the listener's direction. Fuck yeah, Horn Of The Rhino seem to be glad they're this kind of misbehaving, super-energetic rock 'n rolling bastards who make their own rules and don't take shit from anyone. Crusty death metal gallops? No problem. Extended doom jams? Right there, Sir. Seattle-based gloominess? Enjoy. While 99 out of 100 bands would make fools of themselves trying to combine such a range of styles and sound even remotely interesting without falling flat on their faces, these Basques do it with ease, a cheerful smirk and class. Hey, Rhinos - free peyote-tripping gig at San Mames any time soon? [8,5]
(Vladimir Petrov)
  

 

Horse Latitudes 'Awakening' review


HORSE LATITUDES
'Awakening'
(Doomentia Records)

"What do they put in the water over there in Finland?" is one of the unsolved mysteries of the universe. "Why don't they poison the water in Finland to get rid of guitar 'prodigies' like Tolkki or Laiho?" being the other one, apparently. Those damn six-stringers and their 'look-I'm-so-cool' pointless wankery - screw that and bask in the joys of the primitive, gargantuan, doomier-than-thou intricacies of Horse Latitudes. Their combination of two bass guitarists and a drummer/vocalist proves to be a slow and low dirgefest of agony, horror and empty-glazed despair. Listening to this might be kind of a demanding task, agreed, but once the attention is rightly adjusted to the crawling pace and the unusual approach there's no denying to the ability of the band in creating eerie atmosphere through such minimalistic means. Those who might write this off as boring and anti-climaxing - take a nice stroll and pick up those damn schrooms, that should help. If you fail again then I'm afraid you're doomed to live an eternity of Korpiklaani jigs and 'metal' brodudery. How I envy you. [7,5]
(Vladimir Petrov)

 

Celtachor 'In The Halls Of Our Ancient Fathers' review


CELTACHOR
'In The Halls Of Our Ancient Fathers'
(Self-released)

Everything about this band gives away their intention to pay homage to the Celtic myths and history, just take a glance over the band's name and that cover art, this is as straightforward as it gets. No complains, Ireland has been really instrumental to raise awareness to the pagan metal genre, with bands such as Cruachan and Waylander leading the charge in the said style, achieving critical praise in the process. Both of those might need to watch over their shoulders for the competition, as Celtachor are boldly making their claims known with these songs. Yes, 'In The Halls...' has been given a rather rough production that damages the impact to some extend but that is to be expected from a demo and can be easily taken care of on future recordings. What's best about the band, however, is that they've been able to resist the much despised 'folk metal' syndrome, tin whistles or not, and have given the songs 'a fist in the air' (mid-tempo Bathory, anyone?) quality and that unmistakable vibe of genuinely aggressive metal, dissimilar to the one that gets clueless youngsters starting to wave plastic swords and check each other's butts in smelly tents. Yup, no love for the uber-corny folk metal here but plenty of respect for the pagan one of Celtachor. Bearing in mind that this is almost two years old by now, I'm sure the band has further honed their craft and I for one am looking forward to the next offering. [6,5]
(Vladimir Petrov)

Throneum 'Death Throne Entities' review


THRONEUM
'Death Throne Entities'
(Pagan Records)

Extremely crude, nasty and compromise-free, the Polish death metal throwbacks are at your throat again. Based on the fact that this is already band's sixth full-length (plus myriad of all kinds of splits and EPs) one might be tempted to think that Throneum have had somehow lost the urge to blaspheme, maim and mutilate. No chance, amigo. No fukkin chance. Off-putting and gross to those who like it slick and marketable, 'Death Throne Entities' is a raw sounding orgy of filth and mayhem, just what the doctor ordered. Disorienting savagery in full effect that could cast the most iron stomachs heave. Lovely. Stay clear if you fancy your breakdowns and false productions, for this is made for those who are not after the flavour of the month. Divisive? Yes. And that's how it's ought to be. [8]
(Vladimir Petrov)
Throneum MySpace
 

Forefather 'Last Of The Line' review


FOREFATHER
'Last Of The Line'
(Metalhit.com)

Yup, both me and Forefather are still here, just like the first time we crossed paths, around the time of their excellent 'The Fighting Man' album. Loved them back then, sure I did, but will have to admit that post 'Engla Tocyme' stuff wasn't greeted with the same interest and sympathy as the first three CDs on my part. Not that those were bad, friends of mine were holding the band in high regard and I've been nodding approvingly, for the music was of decent quality. I've probably missed the initial 'spark' that first got me into the band, or was it the increasing heavy metal influence in their tunes on the expense of the black metal vibe (think Burzum) which was a vital part of Forefather for me? Whatever. 'Last Of The Line' continues in a much similar vein and one has to admire Wulfstan and Athelstan for their ongoing dedication keeping up the strong Anglo-Saxon vibe that has become synonymous for Forefather in the band's 15 years of existence. Those hymns to the ancient lore of the British isles could give you goosebumps, the passion is undeniable and the melodies are super memorable, displaying vivid pictures of medieval times and places in the listener's mind. This is the kind of epic sounding metal that could attract interest in various types of fans, from those adoring Iron Maiden and Manowar to the Viking-era Bathory hordes, guys this is just the right album for you. Pagan metal in the cheesy way this is not but it's a great, moving, piece of folklore influenced metal that could charge your batteries for the long day of work/school that lies ahead. 'Last Of The Line' is also available directly from Seven Kingdoms, band's own label. Metalhit.com offers digital download, next to the proclaimed 'US version', which turns out to be a mere CD-R, of all possible mediums. [7,5]
(Vladimir Petrov)

Impiety 'Ravage & Conquer' review


IMPIETY
'Ravage & Conquer'
(Pulverised Records)

In theory yours truly and Impiety should be a match made in hell (I couldn't bring myself to write 'heaven' in this review, right?), just like a Russian oligarch and finest caviar on a yacht cruising around a gorgeous Caribbean island. In truth, well, not really. At least not to the extend I'd hoped for, anyway. Yes - this is relentlessly fast, drums are practically blasting non-stop all the time and Impiety are accomplished players who know their way around the chosen instruments, playing them with megatons of vigour and dedication. But, there's always a but or two. Despite some memorable, usually slower, parts scattered in some of those (rather lengthy I might add) tracks the only thing I'd remember is how high the tempo is. That's not bad in itself but it hardly leaves the same impact that the better bands in the genre use to mercilessly assault the listeners with. 'Ravage & Conquer' doesn't possess that extra punch and grit of bands such as Revenge or Kerasphorus, for example. The production on this is  also somehow off, the vocals seem like just slapped over the extra loud drums, while the guitars are lacking the mastodon sound that's required. An album that's neither fish nor meat, much less beluga caviar. [6,5]
(Vladimir Petrov)

Denial Of God 'Death And The Beyond' review


DENIAL OF GOD
'Death And The Beyond'
(Hells Headbangers)

If one is planning to pay a visit to the crypt those Danes have been dwelling in for the last two decades, now the time is right as you'd be greeted by their most accomplished work to date. Sure, metal is a young man's game, we all have heard that saying more than once, yet the old guard is more than capable at times to dismiss the cliché and Denial Of God are one of the better examples of that. The band has easily morphed all their different influences to create a creepy vibe that's presented throughout the whole album, silently whispering all but forgotten names from the glorious past of our beloved metal in the process. Black metal, doomy psychedelics, heavy metal - you name it and rest assured you'd be able to discover all these in 'Death And The Beyond' (amazing title IMO!). Fans of modern day super-duper 'technical' playing, triggered-to-death drums and brickwalled sound, please, stay clear of this - you'd not get it, anyway. Good riddance. Die. However, all those who love the genuine atmosphere of good old metal done with clarity, class and dignity should invest their time and listen to this - you'd be rewarded, that's much certain. This album is a definitive keeper for a whole generation of fans, fiends and immortals. Chapeau, Denial Of God! [8,5]
(Vladimir Petrov)
  

Gospel Of The Horns 'Ceremonial Conjuration' review


GOSPEL OF THE HORNS
'Ceremonial Conjuration'
(Invictus)

No strangers to the mini album format, much less to delivering crushingly effective black/thrash, GOTH are finally back from their self-imposed exile. Dust off you bullet-belts, devotees of the vile Aussie sound, 'Ceremonial Conjuration' is a proud addition to an already impressive cataloque of metal this band has produced over the years. The new songs strike the listener with an immense atmosphere of darkness and destruction, which is no small feat itself but the band did the extra mile and made the tunes super catchy and memorable to boot. In a live setting this stuff should work wonders, there's this undeniable 'instant headbanging' factor one just can not possibly resist. Damn, the malign vocals by Howitzer are just what music of such proportions requires, Masochist's guitar work and tone is spot on and you should all know by now what an intense drummer Mersus (Destroyer 666) is . No need  picking a personal fave tune, all of them (including the closing cover of 'The Fog' by Goatlord) stand on their own, making this an essential purchase for those who prefer their metal rocking, raw and free of trends and fads. [8,5]
(Vladimir Petrov)



 

Spire 'Metamorph' review


SPIRE
'Metamorph'
(Self-released)

Speaking of obscure atmosphere this mini album is hard to beat. The songs twist and unfold like a macabre, trance-inducing ritual straight from the most frightening pits of your imagination. Deceptively monotonous, until you start to pay attention to all these little details, 'Metamorph' is slowly working its way into your psyche as if you're about to gaze at some kind of hollow, all-encompassing void. The experimentation just works right for these Australians and it's great to listen to a band trying their take on the depressive black/ambient with success and their own malicious vision. The band has the whole EP for streaming on their Bandcamp page and since I was send the review link this was made available on CD by Art Of Propaganda in Germany. Keep you eyes peeled, Spire can only get deadlier. [8]
(Vladimir Petrov)

Rampart 'War Behest' review


RAMPART
'War Behest'
(Inferno Records)

Bulgarian metal stalwarts Rampart are back on mission, this time with their sophomore CD album, following an amazing 'appetizer' cassette EP released in 2011. Change of personal more often than not equals a slight change of musical direction, a notion much evident for the band since the day axeman Vili Neshev has taken over the songwriting helm. Displaying more complex, richer, song structures and multitude of tempo changes, the music is still retaining a strong dose of melody, nicely complimented by brilliant guitar solos. Power progressive metal is quite a fitting term for this album, compared to the more orthodox traditional power-speed the band used to explore on their debut full-length, 'Voice Of The Wilderness'.
Lyrically, this is an ambitious project, billed as metal opera - to quote the band themselves: 'This conceptual piece of music consists of 10 compositions and presents an anti-utopia of war as clash of interest. In the real nature of conflict there are no losers and winners. The opposition is a result of our free will. This is a story about the restrictions of man and the decisions he could take on his way to perfection.' According to Maria (vocals) the lyrics also could be applied as a metaphor of the band's history thus far.
Starting off with an epic introduction that sets the tone of the war to come, the real battle soon begins, helped by massive, panzerfaust-like, production job. 'War Behest' is simply an awe-inspiring album and the listener would be well pleased by all of the featured ingredients - the melody-laden riffs and solos, powerful rhythm section and Maria's diverse vocal styles used throughout the tunes. Top honours go to the bone-crushing speed metal of 'Ghost Of Freedom', 'Fire Circle' (featuring a guest appearance of the violin player Sofia Vancheva from Vipera and Мъртво), the compelling epic that is 'Up In Arms' and 'Give Nothing Back'. Nothing's being left to chance - the audio aspects have been handed by Thord Klastrom of Gallows End, while the artwork is done by the well respected Bulgarian artist Dimitar Nikolov (Keep It True Fest, Ross The Boss, Sentinel Beast etc).
RAMPART are still waving the flag of power metal with pride, both domestically and abroad. Go out and see them live if they're touring near to your lair, a string of European dates has been planned for the Summer. And at any rate - order 'War Behest', which is available with a bonus disc featuring the mini 'A Tale To Cold' (review here). [9]
(Asen Asenov)

Reveal 'Nocturne Of Eyes And Teeth' review

REVEAL
'Nocturne Of Eyes And Teeth'
(Invictus - CD / High Roller - LP)

Nearly a year after the initial vinyl release (copies still available) here comes the CD version of these Swedes' debut album. Leave it to Invictus to unearth yet another band whose musical roots and influences are firmly planted in the days of old, with the matching 'warmer' production from the days gone by. I reckon that 'honesty' is the word that fits best in describing Reveal's music - a four-piece metal band that is able to keep their tunes interesting for the listener by mixing predominantly heavy metal riffing with  darkened beats and vocals coming via the black metal route, with the added spice of subtle rocky/bluesier solos and guitar melodies. 'Nocturne...' most likely isn't the album that would set the world on fire but in some respect there's no real need in that. I can easily imagine one approaching the band after a gig, drinking some brew and enjoying a lengthy conversation together on such important topics as denim, leather, dark forces, Morbid/Mayhem, obscure '80's metal etc.  until wee o' clock with Master's Hammer on repeat blazing  out of the speakers. Nice little scenario, if you catch my drift. [7,5]
(Vladimir Petrov)

 

Avenger 'Bohemian Dark Metal' review

AVENGER
'Bohemian Dark Metal'
(Deathgasm)

Balls the size of King Kong's very ones are required from a band inclined to use the term 'Dark Metal' (you weird syckos Bethlehem, you!) in their album title, nevertheless to justify that through their tunes. Avenger, ladies and gentleman, IS that fuckin band. Serving their dues to the underground since times immemorial (eh, the early '90's), these Czech lunatics have developed a brutal onslaught on the senses, mixing the intricacies of black and death metal with haunting vocals, which prove once again that their native language fits like a blood-dripping axe in mass-murderer's hands to the menacing metal the real freaks prefer to consume. Most certainly we won't be going to experience another Bathory, Celtic Frost or Master's Hammer life-changing music revelations in our lifetimes, yet bands such as Avenger should be held in high regard as one of those who are damn close to achieve the very same impact. There should be a good reason that Honza was recruited to play the drums for the return-to-form 'Vracejte konve na misto', right? [8]
(Vladimir)

Occultation 'Three & Seven' review


OCCULTATION
'Three & Seven'
(Invictus)

The Irish label had seen enough merit to secure the European release of this album, thus adding some diversity to their roster. With Negative Plane being on the lips of everyone dwelling in the subterranean scene it's a safe bet that Occultation will be given plenty of interest and, quite possibly, some harsh reactions to balance the praise. This is dark and brooding, filled with atmosphere of decomposing corpses and endless gloom and a far cry from most of the allegedly similar 'Occult Rock/Female vocals' acts of today which shamefully sound closer to the likes of Uriah Heep instead of a band that is trying to portrait the unknown. When in the right mood this can be really good as there are enough interesting parts, harmonies and musicianship to be found in these seven songs, so listeners whose taste runs towards  the obscure end of the musical spectrum would most likely deem Occultation valuable. Everyone else will probably pass this up and will be looking forward to the new Gospel Of The Horns album that Invictus are doing soon. [7]
(Vladimir)

Decayed 'Lusitanian Black Fucking Metal ' review

DECAYED
'Lusitanian Black Fucking Metal'
(War Productions)

Me and fellow scribes are surely obliged to send out our gratitude in forms of bottled spirits to the Portuguese demons for coming up with such self-explanatory album title. Not that it's in any way awkward or badly needed, by now everybody should know what's to be expected from J.A. and his chosen cohorts. Filthy, heavily distorted and primeval thrashing black assault, 666 light-years away from what's considered 'hip' and 'cool' at the given moment by the 'experts' of the scene. While this stubbornness and refusal to tame their appeal had certainly limited the interest in Decayed's music from the general metal public and press there's simply no denying that all those headbangers whose blood cells have been infected with the unhealthy viruses known as 'The Return' or 'Obsessed By Cruelty' are going to crack open and consume copious amounts of beer to the sounds of this album. The Lusitanian tag is justified by seven high-octane blasphemies sung in their native language, which are nicely complimented by cover versions of 'Dead City' and '13 Candles', with the Bathory track being an eerie sounding evil witchfuck, to put it mildly. [8]
(Vladimir Petrov)




Cauldron Black Ram 'The Poisoner' review

CAULDRON BLACK RAM
'The Poisoner'
(Abysmal Sounds)

A 'Maxi-EP' release could bring a tear to the crusty and ungraciously aging eyes of the seasoned veterans reading this but that's the way the flyer bills these four songs from the Aussie gang. Too bad 'The Poisoner' isn't made available on 12'' vinyl [Parasitic Records from the US are apparently going to do this - ED], now that would be the ultimate format to justify the notion, as the music certainly warrants it. Too bad I won't be able to compare this to the band's earlier releases, since this is the first I'd heard from them, bar one song on a compilation CD I got a decade ago...time is a funny little bitch, ain't it? Cauldron Black Ram seem to be one of those bands that are hard to pigeonhole style-wise, but let me assure you there's a certain deranged atmosphere in these tunes that make this band stand on their own. Occasionally doomier than what I'd expected and crushingly low-tuned those songs are a nice example of what can be achieved in this medium when the musicians are able to come out with interesting arrangements and kinda odd sounding guitars and drumming. The snarling vocals give this even more of a freaky sinister feel, which in fact is rather reminiscent to the one from the death metal demo era of the late '80's/early '90's and that's not a bad thing in itself. 'The Poisoner' has a certain dark charm, definitely both a grower and a nice appetizer for the band's next full-length. [7,5]
(Vladimir)





March Of The Hordes / Escape The Flesh 'Split CD' review

MARCH OF THE HORDES / ESCAPE THE FLESH
Split CD
(Lavadome Productions)

The good old split concept, this time both bands are sharing common ground by their love of the old Swedish sound and distortion and by keeping things simple and not pushing the speed boundaries to absurd and artificial levels. We get a pair of songs each from those young units and there's a clear difference between their chosen means to an end, with MOTH [6,5] generally holding more of a 'nerve' and harsher vocalist, while Escape The Flesh [7] seem to be pleased to add crushing, doomier weight to their style, which overall appears to be catchier with all these Hellhammer-esque beats, gruff vocals and heavy churning riffs. A good initiative by Lavadome and congratulations to them for their debut vinyl release, 'Dead Lovers’ Guide' by Brutally Deceased - review here.
(Vladimir)


NunSlaughter 'Devils Congeries Vol.I' review

NUNSLAUGHTER Devils Congeries Vol. I Hells Headbangers By now everybody and his dog should know what NunSlaughter stands for...