Pegazus - 'In Metal We Trust' review


PEGAZUS
'In Metal We Trust'
(Black Leather)

I hear people say all the time that music should be innovative, and I can’t really disagree with them a lot of the time. Bands should be trying to do something new, to expand the boundaries of what was set out before them, right? Well, maybe not all the time. What if there’s a band that comes along that’s just so awesome, so amazing, so satisfying, that they don’t need to reinvent the wheel to sound freaking incredible. Well, my friends, Pegazus are that band, and while you may not agree with that statement, they certainly are that band for me. 
Now, let me start off by saying that I’m a huge Pegazus fan. I have been since I can remember, and I probably always will be. Since I first started worshipping the art of New Wave of British Heavy Metal music, Pegazus stood out with their attitude and songwriting, rather than innovation. And the fact that they were from the 90s, an era where traditional heavy metal was pretty much dead, is even more impressive. Now then, on to the review.
The opening track, “Metal Messiah,” is just the kind of fist-pumping, good-time metal anthem you would hope for, with lots of melodic prowess as well as a powerful and potent rhythm section. From the very beginning, you know you’re in for a treat. After the first track, I was more than satisfied, I would have been very content if this was what the rest of the album was like, but then, “Road Warriors,” the second track comes on, and blows me away. Better riffs, superior vocals, and overall more impressive songwriting here, even some good fills coming from the drums. 
However, after the first two tracks, this album is a real mixed bag, both in style and quality. Sure, you have the songs that bear the great NWOBHM and classic Euro-Metal force that makes albums like 'Headless Horseman' so amazing, such as “Metal Messiah,” Haunting Me,” and “Eye for an Eye,” but I find quite often on this release that there are a lot of songs that wouldn’t sound too out of place on Motley Crue or Quiet Riot albums (“We Live to Rock,” “Road Warrior,” and “Ghost Rider”). Also, it can’t be said that In 'Metal We Trust' is the most consistent album in terms of quality. This could quite possibly be an album where you pick maybe your four or five favorite tracks and just stick with those, but I feel that even the less standout tracks have a lot to offer, and are fun to listen to. 
To me , this album best serves the purpose of providing music for casual listening, for when one is working, driving, or partying. While definitely not as excellent as their earlier works (again, please check out 'Headless Horseman' if you haven’t already), this album is still good fun from start to finish. [7]
(Andrew Oliver)

Tuck From Hell 'Thrashing' review


TUCK FROM HELL
'Thrashing'
(Metalville)

Honestly, as hard as I try, and I try very hard, it’s become quite challenging to harvest any of the redeeming qualities one might possibly find from the ever-growing crop of generic, rehashed thrash metal albums around today.
Sure, the riffs are cool, good melodies, nice chugging rhythms, but the vocals may as well be copied and pasted from early Testament albums, and in a music scene where there are actually quite a few great new albums to seek out and enjoy, why bore yourself with this? Go listen to 'Souls of Black' and give this one a pass. [4.5]
(Andrew Oliver)

Hellterror 'Reality...' (sorta) review


HELLTERROR
'Reality…' (EP)
(Self-released) 

Uncomprehendable, uncompromising, unintelligible destruction. That’s what Malaysian grindcore band Hellterror brings to the table with their new 16-track EP, 'Reality…'. With wild bursts of blind fury and unadulterated aggression, this EP promises to leave everything in ruin by the time it’s over. Nothing will be left standing. With only 150 copies (all in cassette format) made, you might want to hurry and get your hands on this brutal masterwork before it’s all gone.[8]
(Andrew Oliver)


Wizard Smoke 'The Speed Of Smoke' review


WIZARD SMOKE
'The Speed Of Smoke'
 (Self-released)

From the moment I saw the title of this album, I knew, without even having to give it a listen, that it was going to be a doom metal album. And I was right. But what was presented here on Atlanta, Georgia’s Wizard Smoke’s album 'The Speed of Smoke' is slightly different than what I expected. 
What we’re dealing with here is very laid back doom/sludge metal (really more on the sludge side than anything) with some bluesy acoustic intros (“Growing”) and monolithically slow, heavy riffs, dripping with an overabundance of sludge and shrouded in a cloudy haze of effervescent smoke. While the music here does its job in creating the mood of lazy relaxation, what really impressed me about this album was its ability to remain so chill and laid-back despite having vocals that, ordinarily, would contradict that atmosphere completely. Though checked and balanced by an extremely echo-filled production, the vocals here consist mostly of high shrieks and raspy screams, which, in my opinion, are executed very well, and only help to enhance a sound that may otherwise have been rendered boring and overdone by a more traditional doom/sludge vocalist. 
Some songs do drag on a bit and get a tad boring (“Butcher”), but I find that, although this album is filled with riffs that are fairly mediocre, it serves as an excellent soundtrack to laying back and relaxing, whether you’re smoking the ganja, or just trying to wind down, this album is pretty much perfect. However, the same can’t be said for much else going on in this release, as there really aren’t any features musically that stand out as being spectacular, impressive, or even, at times, memorable. I suggest that if you can’t pick up what Wizard Smoke is putting down with 'The Speed of Smoke'’s lazy and laid-back music, you should probably give it a pass. Otherwise, I’d say check it out, and I know I sure enjoyed it! [6]
(Andrew Oliver)

Ceremonial Perfection 'Alone In The End' review


CEREMONIAL PERFECTION
'Alone In The End'
(Nailbord Records)

Hailing from Estonia of all places, Ceremonial Perfection’s newest release gives us something to be truly excited about. 'Alone In the End' starts off promising, with an interesting and engaging intro followed by “Symbols and Processes” and what I would soon find to be some of the most amazing melodic death metal I’ve heard in a very long time, filled with hooks and melodies that are nothing short of mind-blowingly.
And let’s not forget about the instrumentation in itself. In addition to the excellent songwriting, Ceremonial Perfection is composed of musicians who know how to handle their instruments very well, the most technically proficient being the drummer, who blows me away. The riffs are as close to melodic perfection as one can get. Songs like “Autumn of Memories,” Through Your Devil Nature,” “Asymmetry,” and the aforementioned “Symbols and Processes” (best track in my opinion) are prime examples of this, and while this album is filled with many songs that provide incredulous hooks from start to finish, not every song feels the need to be so immediate in its delivery, but this isn’t a bad thing, as it gives the album diversity and versatility. Tracks like “Blinding White” and “My Labyrinth” choose to build up and work their way up to their emphatic melodies and uplifting choruses rather than provide them throughout the whole song. 
In conclusion, 'Alone In the End' is a near-perfect melodic death metal album in every way imaginable. This is the kind of release that can make someone excited to listen to metal music again. Now, I’m not saying that these guys are the next In Flames, but I’m not saying they aren’t either. [9]
(Andrew Oliver)

Bongripper 'Sex Tape/Snuff Film' review


BONGRIPPER
'Sex Tape/Snuff Film' (EP)
(Self-released)

Over the years, since their debut in 2006, Bongripper has never disappointed me, and has never failed to blow me away with their extremely innovative and amazing brand of instrumental doom metal. That being said, when I first began listening to the band’s new two-track EP, 'Sex Tape/Snuff Film', I was doubting whether or not they could maintain this glowing reputation. 
The first track, “Sex Tape,” is obviously extremely heavy, that was a given from the very beginning. However, the stunning experimentation and intrigue for Bongripper is known for is absent from this track completely, and in its place are boring and repetitious riffs that do little to draw you in. There are some bright (well, more like faintly glowing) moments in this song, like the intense jamming and increased speed in the second half of the song, but even in light of this, there’s still nothing that really holds and engages you. Could it be? Could Bongripper really be turning into a boring and monotonous sludge metal clone? At this point, I was very afraid for the future.
But then, a glimmer of hope from the EP’s second track, “Snuff Film.” And it was far more than a glimmer. This song completely saves the EP from boring and monotonous first track and blows me away. Always uncompromisingly heavy, with constant shifts in speed, along with infectious melodies and hooks that are perfectly matched by off-kilter and experimental songwriting that makes Bongripper so amazing. This track makes the EP more than worth buying in my opinion, and I am very much looking forward to their next full-length. [6.5]
(Andrew Oliver)




NunSlaughter 'Devils Congeries Vol.I' review

NUNSLAUGHTER Devils Congeries Vol. I Hells Headbangers By now everybody and his dog should know what NunSlaughter stands for...